THE Dukes of Cambridge and Sussex have united to unveil a statue of Diana, Princess of Wales, saying “every day we wish she were still with us”.
William and Harry came together for a ceremony in Kensington Palace’s redesigned Sunken Garden, on what would have been their mother’s 60th birthday.
It was their first appearance together since the Duke of Edinburgh’s funeral in April.
“We remember her love, strength and character,” they said.
“Qualities that made her a force for good around the world, changing countless lives for the better.”
They said they hoped the statue would “be seen forever as a symbol of her life and her legacy” and thanked “all those around the world who keep our mother’s memory alive”.
The pair were seen laughing and talking animatedly with guests, who applauded as they pulled off a green cloth covering the statue.
They remarked on changes to the Sunken Garden, which Kensington Palace said had been “one of the princess’s favourite locations” when she lived there.
Prince Harry has hinted at difficulties between him and Prince William since stepping back from royal duties last year.
He told Oprah Winfrey in March that the two were on “different paths”.
Then, in May, he spoke of his family’s unwillingness to talk about his mother’s death, and how he was expected to “suffer” in silence.
He said he had been willing to drink and take drugs to cope with the pain of losing her.
Harry, who lives in the US with his wife, the Duchess of Sussex, and their two children, arrived in the UK last week in order to complete his quarantine ahead of Thursday’s event.
What the critics say
Ruth Millington, art historian and critic: Rank-Broadley was given a very difficult task – to honour a woman who still means so much to so many.
She was a public figure, a campaigner and an activist, as well as what she considered her most important role: a mother.
Within art history, there are far too many overly romanticised representations of mothers. But there is nothing overly sentimental about this statue. While opening her arms symbolically to the three children, Diana clasps the girl’s hand with strength.
While using the traditional medium of bronze, Rank-Broadley has broken the mould of royal monuments. He has focused on rendering the folds of fabric to indicate movement: Diana looks like she might step down from the plinth and keep walking. It’s a monument which invites engagement and embodies her openness.
With this poignant memorial, the artist has created a characterful depiction of Diana, which does her justice.
Rank-Broadley has managed to capture the many sides of Diana with this complex statue: she’s determined and graceful, brooding and warm, commanding and compassionate.
Far from elevating her to a high pedestal, he has represented her – as she will always be remembered – as a princess of the people.
Elizabeth Fullerton, art critic: It’s an uncontroversial, accessible representation of a female icon.
Is it good art? Well that depends on your taste.
It’s pretty conservative, made in a naturalistic style and doesn’t move the conversation forward in terms of innovation in contemporary art – but then again, that clearly wasn’t the aim. This isn’t the Fourth Plinth after all.
– mirror.co.uk
